Marianne Barlyng (red.)
The journal SPRING no. 14
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CONTENTS
FPJac - View of my writing
Håkan Sandell - Stjernebarnet, reminiscent of Michael Strunge
Melan Salimi - Identity through literature, identity, aesthetics and nationality.
Melan Salimi - Two poems
Mai Misfeldt - The figure of seduction
John Chr. Jørgensen - Individualism and modernity
New Danish essayistics in traditional historical light three points: Suzanne Brøgger, Niels Frank and Jens Chr. Grondahl
Erik Svendsen - Celebration speech for the author Jens Chr. Grondahl
Per Øhrgaard - About Villy Sørensen: Jesus and Christ
Robert Z. Christensen & Gorm Larsen - Baroque shock states about Kirsten Hammann's Vera Winkelvir and Bannister
Brian Dam Christensen - The language of objects about a world's metamorphosis in Henrik Nordbrandt's Worms at Heaven's Gate
Lisa Korsbek - The poetic dialogue about final poems and the du in Søren Ulrik Thomsen's poetry
Janne Breinholt Bak - Like a crystal that scratches in a cloud a conversation with the poet Morten Søndergaard
Steen Klitgård Poulsen - The exorcism from paradise, the matricide of Aksel Sandemose
Thomas Bredsdorff - The balloon and the kite about Brandes' Staffeldt
Hanne Flohr Sørensen - Nothing speaks as authentically as contemporary letters
William Heinesen and Jørgen-Frantz Jacobsen's correspondence
Anders Thyrring Andersen - Seduction, silence and the clock Kierkegaard inspiration in Martin A. Hansen's The Løgneren
Vagn Steen - The dream of a critic in a society with creative readers
FPJac - View of my writing
Håkan Sandell - Stjernebarnet, reminiscent of Michael Strunge
Melan Salimi - Identity through literature, identity, aesthetics and nationality.
Melan Salimi - Two poems
Mai Misfeldt - The figure of seduction
John Chr. Jørgensen - Individualism and modernity
New Danish essayistics in traditional historical light three points: Suzanne Brøgger, Niels Frank and Jens Chr. Grondahl
Erik Svendsen - Celebration speech for the author Jens Chr. Grondahl
Per Øhrgaard - About Villy Sørensen: Jesus and Christ
Robert Z. Christensen & Gorm Larsen - Baroque shock states about Kirsten Hammann's Vera Winkelvir and Bannister
Brian Dam Christensen - The language of objects about a world's metamorphosis in Henrik Nordbrandt's Worms at Heaven's Gate
Lisa Korsbek - The poetic dialogue about final poems and the du in Søren Ulrik Thomsen's poetry
Janne Breinholt Bak - Like a crystal that scratches in a cloud a conversation with the poet Morten Søndergaard
Steen Klitgård Poulsen - The exorcism from paradise, the matricide of Aksel Sandemose
Thomas Bredsdorff - The balloon and the kite about Brandes' Staffeldt
Hanne Flohr Sørensen - Nothing speaks as authentically as contemporary letters
William Heinesen and Jørgen-Frantz Jacobsen's correspondence
Anders Thyrring Andersen - Seduction, silence and the clock Kierkegaard inspiration in Martin A. Hansen's The Løgneren
Vagn Steen - The dream of a critic in a society with creative readers